Lange on “Migrant Mother”
“Photography takes an instant out of time, altering life by holding it still.”
— Dorothea Lange
"It was raining, the camera bags were packed, and I had on the seat beside me in the car the results of my long trip, the box containing all those rolls and packs of exposed film ready to mail back to Washington. It was a time of relief. Sixty-five miles an hour for seven hours would get me home to my family that night, and my eyes were glued to the wet and gleaming highway that stretched out ahead. I felt freed, for I could lift my mind off my job and think of home.
"I was on my way and barely saw a crude sign with pointing arrow which flashed by at the side of the road, saying PEA-PICKERS CAMP. But out of the corner of my eye, I did see it...
"Having well convinced myself for 20 miles that I could continue on, I did the opposite. Almost without realizing what I was doing, I made a U-turn on the empty highway. I went back those 20 miles and turned off the highway at that sign, PEA-PICKERS CAMP.
"I was following instinct, not reason; I drove into that wet soggy camp and parked my car like a homing pigeon.
"I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions...She told me her age, that she was 32. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed. She had just sold the tires from her car to buy food. There she sat in that lean-to tent with her children huddled around her, and seemed to know that my pictures might help her, and so she helped me. There was a sort of equality about it."
Connections to Berkeley
Dorothea Lange lived and worked from Berkeley for a large part of her life.
Resources & Bibliography
Compiled by Therese Thau Heyman and adapted from Dorothea Lange: Archive of an Artist.
About Dorothea Lange
“Photography takes an instant out of time, altering life by holding it still.”
— Dorothea Lange